a tumbrl about 2001: A Space Odyssey from the author of www.2001italia.it
Recent Tweets @
Posts I Like
who I'm following
atomyou:

The colored lights in the Star Gate sequence were accomplished by slit-scan photography of thousands of high-contrast images on film, including op-art paintings, architectural drawings, Moiré patterns, printed circuits, and crystal structures.

atomyou:

The colored lights in the Star Gate sequence were accomplished by slit-scan photography of thousands of high-contrast images on film, including op-art paintings, architectural drawings, Moiré patterns, printed circuits, and crystal structures.

newmarcel:

"The Apollo 11 Moon Landing, recut to Stanley Kubrick’s 2001: Space Odyssey"

the-art-of-the-gif:

2001: A Space Odyssey

The moment of transcendence.

jacques-audiard:

2001: A Space Odyssey

jacques-audiard:

2001: A Space Odyssey

the-art-of-the-gif:

2001: A Space Odyssey

The Dawn Of Man

cinephiliabeyond:

The good folks at Stanley and Us Project  have assembled a series of tales of Kubrick from a documentary by directors Mauro di Flaviano, Federico Greco, Stefano Landini on Stanley Kubrick. The shooting began in 1997, during the Venice Film Festival, when the Golden Lion for the career was given to Mr. Kubrick. The final result included interviews to more than 30 collaborators, friends and relatives, many shootings on the Kubrick’s film locations and a collection of documentation material, such as photos and screenplays. Most part of this material was organised in 37 episodes of 15 minutes each plus a 1 hour film for the Italian satellite channel Rai Sat.

In 1997 during the course of making the original Stanley and Us documentary, the trio recorded over seven-and-half hours’ worth of interviews, but only used a small percentage of this in the finished film. After Stanley and Us was released in 1999, they packaged the interviews in to 30-minute shows for Italian television’s RAI channel. Over the past two years as part of the on-going Stanley and Us Project interviews have been appearing on YouTube and include such gems as waspish critic, the late Alexander Walker explaining why Kubrick was in awe of Peter Sellers, and why Sellers was mad; daughter Katharina Kubrick talking about the “crazy time” after the release of A Clockwork Orange; designer Ken Adam on Kubrick verses Bond; the legendary actor Murray Melvin discussing 57 takes on Barry Lyndon; editor Gordon Stainforth on why Kubrick was always right; Darth Vader actor David Prowse on “one-take Kubrick”; actor Michael Tarn on why the script was the book; executive producer Jan Harlan on Kubrick’s use of time; and Kubrick’s wife Christiane on Stanley’s acceptance speech video for Directors Guild of America D.W. Griffith Award and why he didn’t do interviews; and Walker again, this time on Kubrick’s funeral. Playlist below begins with biographer John Baxter on Kubrick’s “private movies for a public audience.” —Dangerous Minds

Embedded below are excerpts from The Peter Sellers Story, a marvelous documentary directed by Peter Lydon featuring Seller’s home movies shot with his portable cameras. These excerpts covers the year when Sellers became famous in the US and the time he spent with Stanley Kubrick, making Lolita  and Dr. Strangelove  in England. Scenes from both Lolita  and Dr. Strangelove  are included and quotes from Kubrick statements about Sellers are read by the narrator.

For more film related items throughout the day, follow Cinephilia & Beyond on Twitter. Get Cinephilia & Beyond in your inbox by signing in. You can also follow our RSS feed. Please use our Google Custom Search for better results. If you enjoy Cinephilia & Beyond, please consider making a small donation to keep it going:

the-art-of-the-gif:

2001: A Space Odyssey

Production detail of Earth-orbit space station.

The Futurama crew looking for new outfits in the S07E11 episode ‘31st Century Fox’. Amy’s uniform comes straight from 2OO1: A Space Odyssey. Thanks to my friend Navneet for the tip.